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_ultimate-guide-to-film-composition-amp-framing-key-elements-explained-shot-list-ep-11-1080p-24fps-h264-128kbit-aac.webp "Film Composition Explained<br/><br/>With their origins in fine art, the elements of composition in film provide a foundation for visual storytelling. In this video, the latest in our Shot List series, we’re going to explore cinematic composition and its seemingly endless possibilities. <br/><br/>What is Composition?<br/><br/>Composition is simply how you arrange the elements of your image. This includes your subject and the space surrounding them, the size and shapes, the color and contrast, the leading lines created to help guide the viewer’s eye, and so many more. By understanding the elements of composition in film, you can execute your visual storytelling on a whole new level. <br/><br/>Elements of Composition<br/><br/>There are many “rules” and guidelines when it comes to composition. But no matter which of these composition techniques you use, the goal is always to understand what you want the viewer to take away from a particular image. Creating focal points is a highly valuable skill so that you can guide the viewer’s attention where you want it. This can be done with “leading lines,” creating shapes, the rule of thirds, and even using color and contrast.<br/><br/>There are also framing and composition techniques like “frame within a frame” that helps isolate your main subject. Another technique is the Golden Ratio which uses a pattern we find everywhere in nature to create a sense of balance.<br/><br/>We can also look at how to use depth in the image, creating a sense of space using foreground, middle and background elements. And, of course, the angle of the camera creates its own bias and influence on how the audience perceives a composition.<br/><br/>Learning all of these elements of composition in film at once is certainly a daunting task. But once you get the hang of it, you’ll be able to operate on a more intuitive level where film composition becomes second nature.")
_atp-how-to-do-lens-calibration-124-part-2-software-automation-124-4k.webp "Dustin Abbott")
_reikan-focal-2020-pisode-1.webp "ouiouiphoto")
_ultimate-guide-to-camera-lenses-every-type-of-camera-lens-explained-shot-list-ep-7-1080p-24fps-h264-128kbit-aac.webp "<br/>The camera lens is an essential consideration in photography and cinematography. Camera lenses are on the front line of how an image is captured but not all are created equal. In this episode of The Shot List, we’ll walk through the gamut of camera lenses to differentiate both their inherent qualities and how they each tell a different story.<br/><br/>Let’s begin by making an important distinction between a zoom lens vs prime lens. Within each of these categories can be a variety of camera lenses but what separates them has to do with focal length. A prime lens has a fixed focal length while a zoom lens can operate through a range of focal lengths. There are pros and cons within the zoom lens vs prime lens debate, which we will cover in detail in the video.<br/><br/>The different types of camera lenses are mostly divided into categories based on their focal length, measured in millimeters. Focal length is the distance between the back of the lens and the image plane — the shorter the distance, the wider the field of view. For example, extreme wide angle lenses and fisheye lenses capture the widest field of view. The field of view with a telephoto lens is much more narrow but, in exchange, you can photograph subjects at a greater distance. <br/><br/>A standard lens is any lens where the focal length matches the size of the camera’s sensor. This gives the image a “natural” look that best approximates human vision. A macro lens is designed to capture subjects in extremely close proximity. Whereas most camera lenses align their elements perpendicularly to the image plane, a tilt-shift lens has a unique function that can “tilt” or “shift” that alignment. This leads to both subtle and extreme distortions. <br/><br/>Each of these camera lenses has unique properties that shape the look and texture of the image. As you work through your shot list, keep these options in mind and you’ll be that much closer to realizing your vision.")
_how-to-get-sharper-images-with-this-simple-camera-trick-auto-focus-micro-adjustment.webp "Pangolin Wildlife Photography")
_download-the-focal-easy-guide-to-adobe-encore-tm-dvd-2-0-pdf.webp "Maria Swigart")
_depth-of-field-explained--ultimate-guide-to-camera-focus-shot-list-ep-4-1080p-24fps-h264-128kbit-aac.webp "Depth of field might be one of the last considerations filmmakers make when creating a shot list. But that doesn’t mean it should be ignored. In this video essay, we’re going to look at camera basics like depth of field and how camera focus is used in visual storytelling. With deep depth of field, shallow depth of field, soft focus, rack focus, split diopter lens, and tilt shift lens, each brings a different perspective to your shots. This is Episode 4 of The Shot List: Depth of Field Explained.<br/><br/>Deep depth of field allows for action in the foreground, middle ground, and background; perfect for blocking and staging chaotic scenes like the opening shot of Gravity. Shallow depth of field helps to isolate subjects and guides the viewer’s eye with purpose and meaning — it’s also a great way to get that bokeh effect. Moonlight is full of shallow depth of field cinematography, bringing an extreme level of intimacy to the Chiron’s emotional journey. Soft focus can be used in dream sequences or flashbacks to give the cinematography a nostalgic glow, like Spielberg did throughout A.I. Artificial Intelligence. <br/><br/>A rack focus is a great way to use shallow depth of field to make connections between subjects without needing to cut. Often using a follow focus controller, the focus puller can achieve even the most complicated shots, like in Bong Joon-ho’s The Host. The split diopter lens is ideal when you want to isolate foreground and background subjects simultaneously. Auteurs like Brian De Palma and Quentin Tarantino use split diopter shots all the time, including some stellar examples in The Hateful Eight.<br/><br/>And, finally, we have the tilt shift lens. Tilt shift shots are rarely used in filmmaking because they can produce pretty radical images. In the Coen Brothers’ A Serious Man, cinematographer Roger Deakins was able to shoot the bar mitzvah scene by visualizing Danny’s marijuana-influenced perspective. <br/>Directing and cinematography are all about using images to tell a story. With camera focus and depth of field in your bag of tricks, there’s no limit to how much “depth” you can bring to your shot list.")
_how-to-download-easy-camera-calibration-tool-software.webp "Tips digital1")
_fix-your-autofocus-system-for-sharper-shots.webp "PhotoRec TV")
_environmental-setup-for-running-focal-target-setup.webp "Greg Thurtle")
_mastering-par-focal-precision-how-to-set-back-focus-on-your-broadcast-camera-lens.webp "The AV Coach")
_focustune-install-on-win-8-1-pro.webp "LensAlign")
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